THING -Chitty Chitty Bang Bang …an in-depth look #4
Posted in THING on 03/07/2007 11:00 am by StanleyRumm.
Here we continue to examine just what is so great about this film.
If you haven’t already, read from the start.
.

Now, the most bizarre scene in a kids’ movie!
The Baron is clearly excited as he approaches and recalls the memories they had together.
.

…but each of his attempts to kill her are foiled.
Note the Baroness’s look. She knows, but is too frightened to broach the matter with her husband. Her only weapon is her guile and to keep her husband distracted.
.

“AH HA HA HAAAA!”
.

Now surely she’d make (another) song & dance about this? But instead she merely continues singing.
.

Foiled again!
.

Look at all that (royal) purple. Another beautifully-shot crowd scene. This crowd is full of top-notch actors.
.

Again, the costumes and set speak volumes, but also each of these characters is playing a stormer.
.

You get the feeling that all of these characters are worthy of sub-plots of their own, yet none of them have a speaking role.
.

Still, they don’t need to say a word to convey everything we need to know about them.
.

Activities abound, but the Baron is bored…
.

…which deeply worries the Baronness. Look at her anguish as she hopes her husband is pleased with her gift.
.

And here is that gift. Truly Scrumptious I would say!
.

More non-speaking parts. They just don’t give good extras the juicy roles that they used to.
.

The puppet strings have been removed for the dvd releases -alas in my opinion. I think I prefer to see those strings for some reason.
.

Again, the Baron is overjoyed, but the Baronness is still nervous -is he really happy? Can she relax?
.

The bright-coloured ‘toys’ divide the court.
.

Truly can’t resist giving Professor Potts a knock on the head. This distracts the Baron and causes him to suspect something is not right.
.

Come the revolution, the guy with the net is netted himself.
.

Look at that kid in the foreground, lifting the head of the soldier, then letting it flop as he hits him. This happens repeatedly as the scene continues.
.

Chaos abounds, but again, nothing escapes the watching eye (of the director I assume?)
.

.

.

Even these people aren’t stunted or self-conscious in front of the camera. Some of them are even acting.
.

Once more, return home to safety. Awww.
.
Now I ask you… given the loving care, attention, style and details that were obviously LAVISHED on this film, is the afore-mentioned theory really that far-fetched?
.
Ooyay
01/19/2009 at 10:15 pm
I love the frames and your observations about them. I always thought Ken Adam was overlooked for his work on this film. The production design is magnificent, even by todays CGI standards. The frames you chose and your comments on them were very interesting. Especially to anyone who loves this film. HOWEVER, I must disagree with you on one point. In my opinion, the love song that Sally Ann Howes sings in the courtyard (LOVELY LONELY MAN) is one of the best songs in the score. The lyrics may be somewhat simple but the melody is rich and lyrical. The song is truly (no pun intended) melodic and the scene is beautifully shot. Sally Ann Howes really gives off the impression of being a genuinely high bred person in this part of the picture, not only in the scene but in real life as well. Nobody was better suited for the role and this gave her a chance to hold the picture on her own. The sweeping camera moments and the swelling of the orchestrations ending with her running towards the mansion (or rather the back of Pinewood studios commissary) with it’s fade out is nothing short of breathtaking. I have watched CCBB with very young children who were every bit as involved in this number as they were with the rest of the film. The song and the scene has a sophistication that rises the film up to a level of distinguished musical. I wouldn’t count it out.
That said, I think you’ve done a great job at dissecting the quality of this film and honoring it for the classic it is. Good job.
Cliff
01/30/2009 at 9:43 am
[...] Cliff Carson: I love the frames and your observations about them. I always thought Ken Adam was overlooked for his… [...]
02/27/2009 at 11:22 pm
pierre picton bringing chitty to ireland for st patricks day parade in kells co meath on march 17th hugh intrest in the car people waiting to view loved your stills well done my favourite film thank you philip